Tuna Packaging
Kiosk Design
Tuna Packaging, The Small Version
Postmodernism in a Bottle
Mini Tradeshow Booth
A Note to Modernism
Modernism was coming to an end in the 1970’s. A climate of cultural change resulted as the norms in society were questioned and challenged. Postmodernism design opposed the order and clarity of modern design, rejecting universality, strict grid layouts, and the modernist principles that dominated since the Bauhaus. References to history were now used as design elements for style and to evoke feelings of nostalgia.
To reflect the ideals of postmodernism and its reaction against modernism, a piece was created using the Bauhaus Manifesto. The manifesto was remade (original words in mixed typeface style) using individual clippings from newspapers in “ransom note style”, reminiscent of the 1970’s Sex Pistols album cover, Never Mind the Bullocks. This parallels ideals regarding counterculture, and postmodernism's own reaction against the universal ideals originating from the Bauhaus. In addition, the local newspaper used for the piece, The Georgia Straight, is prevalent in a wide variety of design references and style motifs. The mash up of mixed type clippings were loosely spread out on a grid-like background, using the grid as form without function. The piece was further elevated by photographing, then creating a short video, using a clip of a song from the Never Mind the Bullocks album. The piece becomes a mash up of its own photos in digital format.
The Project video can be viewed here.
Photograms and Laszlo Moholy-Nagy
Laszlo Moholy-Nagy replaced Johannes Itten as the head of the preliminary course for Bauhaus education. Moholy-Nagy, who explored painting, photography, film, sculpture, and graphic design, was enthusiastic to investigate new materials and new techniques. In 1922, he began experimenting with photograms. He believed that photograms represented the essence of photography because the artist could capture patterns of light and dark on light-sensitive paper without a camera.
I was able to find a local shop that carried light sensitive paper; it was surprisingly hard to find in Vancouver. I used this process to create a 4 image piece. Transparent items, round shapes and a variety of other materials were used to capture this abstract composition. The objects used to create the shaded areas become removed from easy identification. This relates to the expressions of abstract patterns created by the photograms of Moholy-Nagy.
The Drive-Thru Dipper
Sustainability Scorecard
Local Arts and Craft Facility

The Hand vs The Machine
Industrialization resulted in a decline in creativity as designs by engineers focussed on efficiency. This resulted in a move away from handicraft in favor of mass-produced goods. In reaction against the social, moral, and artistic confusion of the Industrial Revolution, the Arts and Crafts Movement arose during the later part of the nineteenth century.
This short video interprets some of the ideals, challenges, and ironies of this period of time. The ideals of the Arts and Crafts Movement were a return back to the craftsmanship and quality of objects created prior to the Industrial Era. This combination of art and craft could bring happiness back to workers in a man-made environment. However, the challenges of competing with machines were prevalent in society at the time. The demands of society and expectations that technologies created caused pressures to conform to the ideals of industrialization. The Arts and Craft Movement was continually chased by the ideals of the Industrial Revolution. The irony of the Arts and Crafts movement is that as time went on, technologies were gradually being adopted into designs of the time. Eventually, guided by the economy, industrialization soon engulfed the Arts and Craft Movement as a necessary evil.
The project video can be viewed here.
The Postmodern Rubik's Cube
Original Works In History
Digital Experience Concept
Wall Walkers
Watermark Designs
Watermarks were used by the 13th century in Italy. These recognizable images and patterns are translucent emblems that are visible when paper is held up to the light. Watermarks were made by forming and shaping thin bent wire. These flat designs were then attached to the surface of a mold used in paper making, and produced by pressure.